A packed tiered auditorium seen from the side, every seat taken, the stage out of frame
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Valletta · 4–9 May 2027 · sixth edition

Nine to Nine

Six days, eleven rooms, 184 sessions, all of them between nine in the morning and nine at night. Nothing is streamed. Nothing is repeated. If two things you want are at 14.00, you pick one.

Pitkali Vaults, Tuesday 19.40 — the 420-seat room on opening night184 sessions · 11 rooms · 5 buildings
A theatre balcony photographed from above, rows of red seats curving away with the audience in them
01 — the week

The whole thing fits on one sheet

6days, Tuesday to Sunday
11rooms, 24 to 420 seats
184sessions, 40 to 180 minutes
Printed, posted, pasted up

The programme is a grid of hours, and so is this website

People going in through a tall red-painted double door, seen from the dark side of the threshold
18.30Hall B, Marsamett Wharf · 41 of 180 seats left
Marsamett Wharf, Thursday 18.22 — eight minutes before the door is shut
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Nine → Nine

Thirteen hours, six days, printed at 420 × 594 mm and pasted on the Fanal Street hoarding every Monday night. Six hundred copies. They are gone by Wednesday and we do not print more.

09.00Doors, five box offices, the printed grid
12.00Everything running at once — 7 of 11 rooms
16.45The gap. Nothing programmed anywhere.
21.00Doors locked. No exceptions, not even for us.

Six days, one at a time

Each day has its own character because each day has its own rooms. Tuesday is talks in the big vault; Wednesday and Thursday are benches and hands; Friday is sound; the weekend moves outside. Three of the day's sessions are listed here — the full grid runs to 184.

People sitting on plastic chairs on bare ground in low gold light, backs to the camera, facing a speaker out of frame
Day 01

Tuesday 4 May

Talks only, forty minutes each, and no slides are allowed before 11.00. The Pitkali Vaults hold 420 and the balcony is unreserved.

09.00Doors, coffee, and the printed gridPitkali Vaults420
11.30What a city does with its water, and what it forgets to do — Nkechi OyelaranHall B180
19.00Opening night, with the Bastion Nine bandBastion Nine420
A woman driving a hammer into a leather tool at a wooden bench under a yellow lamp, two other benches behind her
Day 02

Wednesday 5 May

Benches. Twelve places per session, three hours each, €14 on top of your pass because the materials cost us €11. You keep what you make.

10.00Cutting and stitching a single-piece case — Toma ErcegThe Print Works12
14.00Sharpening: what a stone actually doesThe Print Works12
18.00Bench clinic — bring the thing that will not workPitkali Vaults60
A woman throwing a tall clay vessel on a wheel in a bright studio, finished pieces drying on shelves behind
Day 03

Thursday 6 May

The longest day: four sessions run to 180 minutes. If you have a pass and you are late, the seat goes to the queue at five past.

09.30Clay from the Fanal pits — digging, wedging, throwingThe Glasshouse16
13.00Paper by hand, three sheets each — Haruo KinoshitaReading Room24
20.00Late reading, candle-lit, no microphoneReading Room90
A hand resting on the faders of a lit mixing desk at the back of a dark room
Day 04

Friday 7 May

Sound all day in Hall B, which is a concrete shed and sounds like one until 16.00, when the drapes go up. Ear defenders at the door, free.

11.00Mixing a room you did not choose — Pawlu SciberrasHall B180
16.00Drapes up: the same room, measured againHall B180
21.00Last set. The doors are locked at 21.00 exactly.Hall B180
A stone courtyard photographed from an upper window, café chairs and tables stacked and set out in rows below
Day 05

Saturday 8 May

Everything moves into the courtyard. Four hundred chairs go out at 07.30 and come in at 22.00; if it rains we move to the vaults and lose 120 seats.

09.00Chairs out. Anyone helping gets breakfast.Fanal Courtyard400
12.30The ferry engine, opened up on the quay — Faisal BaradeiMarsamett Wharf70
17.00Six short demonstrations, ten minutes each, no questionsFanal Courtyard400
An arched stone courtyard at night lit by lamps along the walls, low seating and large terracotta jars
Day 06

Sunday 9 May

A short day and a slow one. Three sessions, then the courtyard is open until 21.00 with nothing programmed in it at all, which is the point.

10.00What went wrong this week, read out in full — Marguerite DowlingPitkali Vaults420
14.00Printing the 2028 grid, live, with your correctionsThe Print Works40
18.00Nothing. The courtyard, open, until nine.Fanal Courtyard400
Rooms

Eleven rooms, and six of them are awkward

We publish the seat count, the worst seat and the stairs before you buy, because a programme that hides them sells you a session you cannot sit through.

Five buildings, eleven rooms
Pitkali Vaults3 rooms09.00–21.00
Marsamett Wharf2 rooms10.00–21.00
Bastion Nine2 rooms09.00–21.00
The Print Works2 rooms10.00–20.00
Fanal Gardens2 rooms07.30–22.00
420

Pitkali Vaults

Barrel vault, stone floor, no rake. Rows 14 and back see the speaker's head and nothing else.

09.00–21.00 · step-free
180

Hall B

A concrete shed on the water. Cold until midday, loud until the drapes go up at 16.00.

10.00–21.00 · step-free
90

Reading Room

Forty-one steps up and no lift. We will carry anything but we cannot carry you, and we are sorry.

09.00–21.00 · 41 steps
60

The Print Works

Benches bolted down, twelve places at the front, forty-eight standing behind. Oil on the floor.

10.00–20.00 · step-free
400

Fanal Courtyard

Open sky. Shade on the west wall after 15.00 and nowhere at all before it.

07.30–22.00 · step-free
24

The Glasshouse

Smallest room we have, and the only one that is always too hot. Twenty-four stools, no backs.

09.30–18.00 · ramp
One day, walked

Thursday, 09.30 to 21.00

One of us walked the Thursday of the fifth edition on a day pass with nothing booked, and wrote down the part the printed sheet cannot carry. Five beats, 11,400 steps, one session missed by four minutes.

09.30

You start in the wrong building

Everyone does. The Glasshouse is eight minutes from the Vaults and the grid says so in small type at the bottom of every column. Clay until 12.30, hands filthy, no lunch booked.

13.00

Twenty-four places, and you have one

Paper by hand in the Reading Room: three sheets each, two of them bad. Haruo Kinoshita has made paper for fifty-one years and will tell you your first sheet is fine, which it is not.

16.45

The gap nobody programmes

Two hours with nothing in them. This is deliberate and it is the single thing people write to us about afterwards. Eat. The courtyard is nine minutes downhill and the bread comes out at five.

20.00

Candles, and then the street

The late reading runs an hour with no microphone, so the back of the room genuinely cannot hear and we genuinely will not fix it. At 21.00 the doors are locked and you are outside with 89 other people.

A hand writing in pencil down a yellow legal pad, the page already half full of close handwritingReading Room, Thursday 13.52 — somebody's notes from the paper session
09.3013.0016.4520.00

Before you buy

Can I get into everything with one pass?

No, and you should not want to. A six-day pass gets you into any talk with a free seat and any courtyard session. Bench sessions cost €14 more because the materials cost us €11 and twelve places is twelve places.

What happens if I am late?

At five past the hour your seat goes to whoever is standing at the door. We have done this for six years and it is the only reason sessions start on time. There is no exception for a pass holder.

Is any of it recorded?

Three talks a day, audio only, published the following week. Bench sessions and the late readings are never recorded. If you want the thing, you have to be in the room, which is an unfashionable position and we are keeping it.

I use a wheelchair.

Nine of eleven rooms are step-free and we hold two spaces plus a companion seat in each of them until 48 hours before. The Reading Room is forty-one steps and we have not found a way round it. Write to access@ninetonine.mt.

Can I bring a child?

Under-twelves are free in the courtyard and in the Vaults, not on the benches — there are blades on every table. The 17.00 demonstrations on Saturday are the ones built for them.

Do you refund?

In full until 1 April, half until 25 April, nothing after that, and we resell your pass and send you the money if someone takes it. Last year 31 of 44 returned passes resold.

An audience in silhouette watching a man speak in front of a large bright screen in a dark room
1,100 passes · 740 already gone

Nine hundred seats an hour. None of them yours until you buy one.

Day pass €18 · six-day pass €74 · bench sessions €14 on top. The box office at the Pitkali Vaults opens at 08.30 and takes cash.

Buy a pass
Hall B, Friday 11.14 — the mixing talk, 180 seats, standing at the back